Economic Restructuring Also Requires "Entertainment Spirit".

Polarization between the rich and the poor and the main direction of economic restructuring

2008, 2009, 2010, these three years are doomed to be a short period of economic cycle full of strange colors. When we are still worried that China and the world economy will sink into the second Great Depression, the government's economic stimulus plan has rapidly pushed GDP back to its previous level. However, when there is no serious unemployment problem in the economy, we find that the social contradictions represented by collective strike are increasing day by day.

The most important point in the initial solution of a company is to raise the wage level of the workers. According to the wages of their employees, the basic salary (675 yuan) plus the functional salary (340 yuan) plus all kinds of subsidies (495 yuan), total income is 1510 yuan, and the disposable income is actually 1211 yuan, and the benchmark of the increase is 300-400 yuan, that is, the magnitude of 25%-35%; compared with the Shanghai's monthly minimum wage standard from 960 yuan to 1120 yuan in April 1, 2010, the rate is more than doubled.

The reason for the problem is the huge wage gap within the country. The Japanese support workers who do similar work can earn 50 thousand yuan per month, which is 50 times that of the Chinese labor force.

It can be seen that the improvement of the low wage level can not solve the inherent contradictions.

The present situation of the company should be highly alluding to the existing mode of relying on exports to stimulate China's economic growth.

If we combine the real estate prices in recent years, we can imagine that the problem of polarization between the rich and the poor in China is the main direction of economic structural adjustment.

Reducing the gap between the rich and the poor is obviously more complicated than energy saving and emission reduction and eliminating backward production capacity. Behind the economic downturn, there is always a huge social contradiction. Perhaps, in the face of such crisis, the American experience of industrialization entering a consumer society is worth learning from.

From the point of view of income distribution pattern, the United States has entered the degree of polarization between the rich and the poor similar to the great depression, and the important part of the Great Depression easing social contradictions comes from the American "entertainment spirit".

Chart 1: the proportion of the richest 10% people from 1921 to 2006 in the United States, the subprime mortgage crisis and the social potential nature of the great depression are all manifested as the increasing polarization between the rich and the poor. The sharp rise in asset prices under such a background should be more frothy.

The new era needs the spirit of entertainment.

Looking back, we did not really experience the gloomy days of the great depression, but the film still gave the best explanation, and there was still a glimmer of color in the gloomy days.

In the Pentium era, there is a talented horse named "sea biscuit", which leads people to come together to love each other and help each other to regain confidence.

The great depression is not only hunger and cold, but also the warmth and indomitable spirit of the iron fist man, and the pursuit of love and freedom in the autumn legend, as well as various mental prescriptions for mankind when the world is at rest.

From the industrial cycle of the world economy, we have experienced countless economic crises. Perhaps the key to the continuous cycle of crisis for Americans is the spirit of entertainment experienced after the great depression.

In the current recuperation period, we can also carefully review the structural contradictions formed before the rapid growth.

The mitigation of polarization between the rich and the poor is not overnight. When the economic growth rate slows down, can we not find more spiritual comfort in the development of cultural industry.

What's more, the flourishing development of the film industry during the great depression is inseparable from the pition from silent to sound, but now we have a stronger 3D technological pformation.

Figure 2:2009 compared with the box office receipts of imported blockbuster movies since the year of 2:2009, pure 3D film is better than previous traditional movies in box office income or simple box office cost ratio.

In combination with another Alice, it shows that the investment of 3D movies is basically higher than that of traditional films.