Jian Gu Know Today: Once A Fashion Power (Photos)
In the 2009, the world seemed to have a passion for China. Under the background of the economic crisis, China attracted the attention of the whole world and gained the special favor of the fashion industry.
International brands have joined in the design.
Chinese elements
。
When China and
fashion
So close, people began to think, what is the essence of fashion, why does it favor us?
Tracing the history of fashion, every fashion dealer holds high artistic head and claims to be at the forefront of the wave.
The designer's self-consciousness attacks people's life in the form of brand. In this sense, fashion is the fight for the right to speak between brands, and hence the myth of Versace, the legend of Chanel.
But when the economic crisis stripped flashy and complicated, the fashion that never ignored costs revealed its deeper meaning.
Fashion is the contention between nations.
Looking back on the past one hundred years, the rise of the United States once robbed the dominant position of European fashion capital, but the sudden economic crisis in the United States triggered a revival of European fashion, and the European economic crisis made fashion vane return to New York...
In fact, the ancient and prosperous China was once the leading fashion country in the world.
In the Wei and Jin Dynasties, the images of aristocratic men and women in the left and right pictures were imitated by the later Royal male dresses of Japan.
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Chou Yingjie, a famous painter of the Ming Dynasty, made a picture of peach and plum garden at the spring night banquet, depicting Li Bai and his four younger brothers, giving a banquet in the peach orchard in spring night, and fighting the wine to compose poems.
Many Chinese literati lived happily ever after.
So-called
Wei Jin style
Nowadays, many people only remember metaphysical explanations. However, we will feel strongly that if we study them,
It refers to a unique fashion of leisure and fashion.
This is a detailed description of the fashion editors at that time.
At that time, the popular white scarf, crane cloak, and clogs were not formal clothes, but they received pity from emperors to scholar bureaucrats, which represented the free state of leisure and the free and easy character of "Pride and pride".
Scholar Xie Wan chose fashion style "white scarf" to see Jane Wendi, who was the prime minister at that time.
Chen Wen Di chose to wear a scarf when he looked for a painter to paint for himself.
"Foot Xie Gong Cun, wearing a large scarf" has become the fashion industry's earliest and most influential concept of "casual wear".
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(Tang Taizong's costume when he married Princess Wencheng)
Over the past thousand years, the fashion track has always maintained an ambiguous relationship with the historical context of international relations. This makes us always go back to the historical evolution of fashion brands and predict the future development.
That's why I keep saying: a rising power must have its own clothing brand.
China's current fashion has two themes: one is In time, the other two is western style.
30 years ago, Pierre Cardan walked through the streets of Beijing wearing woolen coats. The Chinese regarded it as a weird dress and was criticized by the fashion industry as Out time. Now China's fashion has gone to the stage of In time.
When Chinese elements are combined with fashion and foreign flavor, Chinese fashion will soon enter the stage of Front time, just like the economy.
Of course, we have to admit that the fashion of men's clothing is basically a suit.
A strong suit force has formed a suit index to evaluate every country.
People judged the modernization of the country based on whether the suit was the mainstream costume.
Americans have proudly stated that two countries with McDonald's will not fight, and two countries wearing suits will not fight.
This is language code, the fashionable code in international relations.
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